在“遷徙的痕跡”聯展中，藝術家喬納森・埃雷拉・索托 (Jonathan Herrera Soto)、麗澤特・埃爾南德茲 (Lizette Hernandez)、埃裏克・亞曆桑德羅・埃爾南德茲 (Erick Alejandro Hernandez)和佩德拉姆・薩澤什 (Pedram Sazesh) 從遷徙和移動的私人經驗出發，在適應變化、認知界線並尋求自身定位的過程中，關注著何謂危險與安全的邊界，並將這一空間轉化為具有無窮潛力的藝術隱喻。對藝術家而言，允許與禁止的邊界上持續存在著張力，亦包含著當下自我和過去記憶的多重省思，並先於定義之前允許被遺忘的事物重新存在。
In the "Traces of Migration" joint exhibition, Artists Jonathan Herrera Soto, Lisette Hernandez , Eric Lessandro Hernandez and Pedram Saszesh , from the private experience of migration and movement, In adapting to change, cognitive boundaries and seeking self-positioning, Focusing on the boundary between danger and safety, And transform this space into an artistic metaphor with infinite potential. For artists, there is constant tension on the boundary of permission and prohibition, which also contains multiple thoughts of the present self and past memory, and allows the forgotten things to exist before definition.